The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent, from the cramped neighborhoods of Old Delhi and the roads of the new city, to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war.
The engine of Roy's story is a hijra (India's third gender) named Anjum, and the story begins with her unrolling a threadbare Persian carpet in a city graveyard she calls home. Anjum's charisma draws a vibrant assemblage of outcasts to join her--other hijras, Kashmiri freedom fighters, activists, orphans, low-caste Hindus and Muslims, and a host of animals. Anjum's home is a place where the formerly unwanted embrace each other's true selves.
We encounter the odd, unforgettable Tilo and the men who loved her, including Musa, sweetheart and ex-sweetheart, lover and ex-lover. Their fates are as entwined as their arms used to be and always will be. We meet Tilo’s landlord, a former suitor, now an intelligence officer posted to Kabul, and then we meet the two Miss Jebeens. The first is a child born in Srinagar and buried in its overcrowded Martyrs’ Graveyard. The second is found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi.
As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page Arundhati Roy’s storytelling gifts.